Monday, June 27, 2011

Teaching the Snake Children by Mark Gillingham

A friend of mine who taught eighth grade for years called adolescents "hormonally impaired." She meant this with love, respect, and understanding. She had one student, though, who presented even more challenges—he would forget his shoes but bring a snake to school. What if all of your students were "snake children" who needed special attention? One might find it challenging to teach an entire class of snake children in a regular run-of-the-mill classroom or school. You'd need something like the Beaver Island Lighthouse School, a residential high school on a sparsely populated island in Lake Michigan.

I was honored to attend the graduation/completion ceremony
of the Beaver Island Lighthouse School, where some students graduated with a high school diploma and others completed YouthBuild (a work-experience program). Still other students completed the school's residential program without either of these other distinctions. My wife, Beth Urech, and I are supporters of the school. At the ceremony, we presented the first 10-10-10 Scholarship Fund Award and two books published by the Great Books Foundation. The award and books went to the valedictorian, Katie Daugherty, who will be attending Northwestern Michigan College.

The Beaver Island Lighthouse School is a residential high school for kids that are failing in their traditional schools. The twenty-five students and five teachers live together on the island for seventeen days before getting a four-day break. The students and teachers eat, sleep, work, and learn together. Life at the camplike school can be as much fun as a day at the beach or as challenging as life as a runaway teen. This extraordinary school is enough to make a difference for many of the students, but not for all. Even in this caring but intense school, there are dropouts among the snake children. Not all of them are ready to enter the world of adulthood. Most of the students make great progress and are like Taylor, who said to his Beaver Island teachers: "They told me I would never graduate. I did! You changed my life."
Mark Gillingham is vice president of technology at the the Great Books Foundation. He works to develop ways to use technology, information, and research to forward the mission of the Foundation.

Monday, June 13, 2011

In the Basement of the Ivory Tower: Confessions of an Accidental Academic, by Professor X.

Viking, 288 pages, $25.95

Reviewed by Nancy Carr.

It’s now rare for a book to be published anonymously, but it’s clear why Professor X feels the need to cloak his identity. In the Basement of the Ivory Tower is an expansion of his June 2008 article for the Atlantic, in which he described his travails as an adjunct English instructor at a “college of last resort.” His article generated a torrent of comments, many of them angry rebuttals of his claims about student capacity or attacks on his teaching methods. (He devotes a portion of one chapter, “Do Your Job, Professor!,” to discussing some of these comments.) While it’s possible to question some of Professor X’s conclusions, his basic points about many college students’ lack of preparation and many colleges’ financial incentives for admitting them anyway are indisputable, making his book essential reading for anyone interested in American education today.

Professor X is blunt about his primary motive for working as an adjunct instructor: he needs the money. Having taken on a mortgage that is more than he can afford, he supplements his full-time government job with evening English classes for a small private college and a two-year community college (he gives both fictitious names). He notes that both institutions are “desperate” for adjunct instructors and that his MFA in creative writing is considered sufficient qualification for the job. Once in the classroom, Professor X discovers that he is “trying to wring college-level prose from students whose skills may just graze the lower reaches of high school.” He succinctly explains the dilemma he and other instructors at open-enrollment colleges face:

Colleges wish to maintain strict academic standards while admitting everyone who wants to get in, a pool that includes a great many questionable learners. The result is a system rife with contradiction. The conflict between open admissions and basic standards can never be reconciled. Something has got to give.

Professor X recognizes the unpopularity of this conclusion, noting that it seems “Dickensian” to say that some students should not go to college, or that some professions should not require it. But his descriptions of the college experience his students actually have—and what it costs—amply demonstrate the need to face squarely the questions of who should go to college and why.

Many students attending nonselective colleges graduate with crippling debt loads, and many never finish degrees, as Professor X points out. Increasingly classes are taught by adjunct instructors who are paid a flat fee per course, with no benefits and no possibility of tenure. “We are paid by the college to perform the dirty work that no one else wants to do, the wrenching, draining, sorrowful business of teaching and failing the unprepared who often don’t even know they are unprepared.” He can’t stay angry at his students for not turning in papers or for turning in papers that are almost unreadable, because he feels too sorry for them: they are caught in a system that they didn’t create and are navigating with difficulty. It is chiefly the colleges he blames for creating a myth of universal opportunity that draws students into classes they may not be able to pass and into degree programs they may not be able to complete.

In the Basement of the Ivory Tower is a far from perfect book; too often it reads like the expansion of an article that it is, with repetition and digression padding his essential points. Some readers will be impatient with Professor X’s descriptions of his family’s economic woes, but he makes a persuasive case that buying into the housing bubble was much like buying into the “college bubble” currently being embraced by educational institutions and their students. When Professor X describes actual classroom interactions, the book is riveting. Actual samples of student writing would help the book immeasurably, since it’s hard to evaluate his reactions to students’ work without getting to see any of that work. It’s understandable that he wants to preserve his students’ privacy, but the absence of concrete examples weakens his argument.

The most dispiriting encounter Professor X relates concerns a student who has turned in a paper obviously lifted verbatim from an online source. When he confronts the student, the clearly angry student paces the room and repeatedly says how “disappointed” he is. Finally, he explains that he did buy the paper, but “I bought it off a friend of mine. I paid him to write it for me. But I didn’t pay for some old piece of junk that was out there, floating around on the Internet.” How is an instructor to help such students, who lack any understanding of the demands and rewards of real academic work? This question thrums beneath every sentence of In the Basement of the Ivory Tower.

This book will undoubtedly enrage some institutions of higher learning and spur refutations from instructors who have found effective ways of reaching college students who arrive with educational deficits. But In the Basement of the Ivory Tower establishes beyond a reasonable doubt that the current mantra of “college for everyone” is dangerously misguided. Ideally, the book will spur a substantive discussion not only of American higher education’s aims and practices, but also of the academic preparation of many American high school students. Though Professor X doesn’t explicitly say so, perhaps it’s because a high school diploma has so little value as a demonstration of competence that employers now push so hard for some college credit from prospective employees, even for jobs that historically have not required a college education.

Nancy Carr is a senior editor at the the Great Books Foundation, working primarily on choosing reading selections and writing teacher's materials for grades K–8. She also leads literature discussion seminars for adults, independently and with the Classical Pursuits travel learning program.

Thursday, June 2, 2011

Printers Row 2011: June 4 and 5, 2011

GBF is looking forward to Printers Row Lit Fest this weekend in Chicago. Printers Row is hosted by the Chicago Tribune and is an outdoor festival located on Chicago’s historic Printers Row, in the streets around Dearborn and Polk. At the festival, you can listen to authors speak about and read their work; browse through new, used, and antiquarian books from publishers and booksellers; and attend poetry readings, children’s activities, cooking demonstrations, wine tastings, and more.

We won't have our own table like in year's past, but check out events with these Great Books/Common Review editors and contributors:


10:30 a.m. “Adoption Nation” with Jane Katch and the 2011 Common Review Short Story Prize guest judge Gina Frangello (author of Slut Lullabies), moderated by Amy Alessio at the University Center in the Loop Room (free tickets required).

2:30 p.m. “Desperate Characters in the Short Story,” with Gina Frangello,
Bonnie Jo Campbell, Christine Sneed, and Melissa Fraterrigo, moderated by Donna Seaman at the Center Stage.

2:30 p.m. “The Best of the Encyclopedia Show,” hosted by Robbie Q. Telfer and Shanny Jean Maney, featuring, among others, Great Books K-12 editor, Rachel Claff, reciting her poem, “How To Paint a Ceiling” (published on this blog) from the Encyclopedia Show: Creation Myths, which was tied into Great Books Chicago 2011. This event is at the Arts & Poetry Stage.


10:00 a.m. The Common Review editor, Danny Postel, will appear with Ahmad Sadri to talk about the book edited by Postel and Nader Hashemi, The People Reloaded: The Green Movement and the Struggle for Iran's Future at the University Center in the Loop Room.

2:00 p.m. "Three Cartoonists in Conversation": The Common Review frequent illustrator, Onsmith, will appear with Ivan Brunetti and Chris "Elio" Eliopoulos at the Center Stage.

Also, I know some GBF colleages and I will be roaming around the festival, going to panels and buying way too many books.

For more information on Printers Row, such as participant bios, maps and directions, and FAQs, please visit the Chicago Tribune website.

Hope to see you there!

- Lindsay Tigue